Color and DesignComposition and Analysis

Triangles, Diagonals and S-Curves

Many paintings are built on a simple structure: a stable triangle, an energetic diagonal, a winding S-curve or a circle.

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Under the subject of many paintings lies a simple shape that holds the arrangement together. Squint, and the figures and objects often fall into a triangle, a diagonal, an S-curve, a circle, or bands of horizontals or verticals.

Six structures, with the structure line drawn over each.
Structures and the feelings they often give.
StructureOften feelsExample
Triangle (pyramid)stable, solidChrist forms a triangle at the center of Leonardo's Last Supper
Diagonalenergetic, movingthe rearing horse and pointing arm in David's Napoleon Crossing the Alps (1801)
S-curvegraceful, winding, leads into deptha river or path winding back into the distance
Circleenclosed, unifiedfigures gathered in a ring
Horizontalscalm, spread outthe flat field and the low line of bent figures in Millet's The Gleaners (1857)
Verticalsupright, formalrows of columns or trees

Key idea

Look past the subject to the shape of the arrangement: triangle, diagonal, S-curve, circle, horizontals or verticals. The structure sets much of the mood.

Why it works

A triangle with a wide base looks like it cannot tip over, so it feels stable. A diagonal looks like something falling or rising, so it feels active. An S-curve leads the eye gently back and forth into the distance. We read these shapes before we read the details.
Jacques-Louis David, The Oath of the Horatii, 1784.

Worked example: The Oath of the Horatii

In David's The Oath of the Horatii (1784), three arches in the background divide the scene into three parts: three brothers at the left, their father in the center holding up swords, and grieving women at the right. What structures hold it together?
  1. Three arches set up a calm, regular rhythm of verticals and divide the picture into three zones.
  2. The brothers' outstretched arms and braced legs make strong diagonals toward the swords.
  3. The father's swords sit at the center, where the diagonals meet.

Answer: A three-part division by the arches, with strong diagonals meeting at the center.

Common mistake

Looking only at the subject and missing the shape of the whole. Try squinting, or tracing the main masses with your finger in the air. If your finger draws a triangle or a slash, that is the structure.

Practice

Pass with 3 right answers, the last 2 in a row. Each right answer earns 2 XP.

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Builds on

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This is one of the top rungs of Color and Design.

Sources and further reading

@teddyrookbook GitHub