Art History IIAsia and the Islamic World, 1500 to 1900

Japanese Screens and Castles

Folding screens painted on gold leaf, such as Ogata Kōrin's Irises (about 1705), and castles like Himeji (completed 1609) show the splendor of Japan's great families.

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Japan's great families, the military lords (daimyō), the shoguns and rich merchants, decorated their castles and houses with folding screens (byōbu) and painted sliding doors. A screen is usually six panels joined by hinges, often made as a pair. Many were painted on gold leaf, which glowed in dim rooms lit by lamps and by light reflected from paper windows. Like the ukiyo-e prints of the towns, screens belong to Japan's early modern age, but they were made for the elite.

Looking closely: Irises

Ogata Kōrin, Irises, about 1701 to 1705. Ink and color on gold leaf, pair of six-panel folding screens. Nezu Museum, Tokyo.

Describe. Clumps of blue-violet irises with green leaves march across a plain gold ground, with no water, no sky and no horizon. Analyze. Kōrin (1658 to 1716) used only a few colors: mineral azurite blue and malachite green on gold. The clumps repeat, some almost exactly, in a rhythm that rises and falls across the panels. With no ground line, the gold reads as both space and flat surface. Interpret. Educated viewers knew a famous episode from The Tales of Ise, a Heian-period poem tale, set at a place called Yatsuhashi ("Eight Bridges") where irises bloomed. Kōrin left out the bridges and the travelers and kept only the flowers, trusting viewers to remember the story. The work belongs to the Rinpa school of bold, decorative design.

Key idea

Folding screens on gold leaf, such as Ogata Kōrin's Irises (about 1705), and castles like Himeji (completed 1609) show the splendor of Japan's great families.

Common mistake

People read a folding screen as a flat painting. It stands in a zigzag, so the picture folds in and out, and the gold catches the light differently on each panel. Kōrin's irises seem to step forward and back as the panels turn. Imagine it standing in a room, not hanging flat on a wall.
Hasegawa Tōhaku, Pine Trees, late 1500s. Ink on paper, pair of six-panel folding screens. Tokyo National Museum.

Not all screens were gold. Hasegawa Tōhaku (1539 to 1610) painted Pine Trees in ink alone, in the Momoyama period just before Edo began. Pines loom out of mist and fade into it; large parts of the paper are left blank, so the empty space becomes fog. It is a National Treasure of Japan. Whether Tōhaku meant it as a finished work or as a study is debated.

Himeji Castle

Himeji Castle, Himeji, Japan, main keep completed 1609.

Castles were built in a burst of construction around 1600, as warlords fought to unify Japan. Himeji, largely completed between 1601 and 1609 under the lord Ikeda Terumasa, rises on stone walls with layered white plaster roofs, which earned it the name "White Heron Castle." It survived wars, fires and earthquakes and is a World Heritage Site. Its rooms were the setting for painted screens and doors.

Why it works

Gold and big, bold motifs were practical as well as splendid. In castle halls lit by small windows and oil lamps, gold reflects light into the room, and large, simple shapes read well from across the space. The zigzag stand also keeps a screen upright without any frame.

Worked example: Why no bridge?

Kōrin's Irises illustrates a scene from The Tales of Ise at the Eight Bridges. Why might he show only the irises?
  1. Educated viewers knew the story well.
  2. The flowers alone were enough to call it to mind.
  3. Leaving out the bridges and people makes a bolder, more decorative design.

Answer: The irises suggest the whole story to viewers who knew it, and make a stronger design.

Practice

Pass with 3 right answers, the last 2 in a row. Each right answer earns 2 XP.

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Sources and further reading

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