Art History IMedieval Europe

Illuminated Manuscripts

Monks copied and decorated books by hand. The Book of Kells (about 800) and the Lindisfarne Gospels (about 715) fill pages with knotwork and interlace.

Not started Jump to practice

Before printing, every book in Europe was copied by hand, most of them by monks and nuns in a monastery's writing room, the scriptorium. Pages were made of vellum or parchment, calfskin or sheepskin soaked, scraped and stretched thin. A decorated book is called an illuminated manuscript, from the Latin for "lit up," because gold and bright colors seem to glow on the page.

On the islands of Britain and Ireland, monks of the 600s to 800s created a style called Insular (from Latin insula, "island"). It mixed the interlace and spirals of Celtic and Anglo-Saxon metalwork with Mediterranean book design. Two masterpieces stand out.

A carpet page from the Lindisfarne Gospels, about 715 to 720. British Library, London.

Looking closely: A Lindisfarne carpet page. A whole page with no words, covered edge to edge like a rug, so it is called a carpet page. A cross in red, blue and gold stands out against a dense field of interlace: ribbons, and the twisting bodies of birds and beasts, that weave over and under each other without a break. It was laid out with compass and ruler and then filled by hand. A note added in the 900s says Eadfrith, bishop of Lindisfarne, wrote the book; so the book is "attributed to" him.

The Chi Rho page of the Book of Kells, about 800. Trinity College Library, Dublin.

Looking closely: The Chi Rho page. This page begins the story of Christ's birth in Matthew's Gospel. Two Greek letters, Chi (X) and Rho (P), the first letters of "Christ" in Greek, swell to fill nearly the whole page, and every stroke of them is packed with spirals, knots and tiny figures. Look closely and you find faces, angels, and animals hidden in the ornament, including cats watching mice and an otter with a fish. Where the book was made is debated: on the island of Iona, off Scotland; at Kells in Ireland, where monks fled after Viking raids; or partly at both.

Key idea

Monks copied and decorated books by hand. The Lindisfarne Gospels (about 715) and the Book of Kells (about 800) fill pages with knotwork and interlace.

Why it works

Why lavish so much work on a book? These were Gospel books, the words of the Christian scriptures, used on the altar and carried in processions. To their makers, the text deserved the richest frame they could make, as a reliquary honors a relic. A single book could take years and the skins of many calves.

Worked example: Read the page

A full page in an Insular gospel book has a cross set in dense interlace and no text at all. What is it called, and where does it come in the book?
  1. A full page of pure ornament, like a rug: a carpet page.
  2. In the Lindisfarne Gospels, carpet pages come before each Gospel, like a doorway.

Answer: A carpet page, placed before a Gospel.

Common mistake

Calling the whole Middle Ages the "Dark Ages," when nothing of value was made. Books like these are among the most intricate art ever made, and the monasteries that made them kept learning alive. Check: "dark" usually means we have fewer written records, not that people made nothing.
Lindisfarne and Durham in northern England; Dublin, where the Book of Kells is now.

Practice

Pass with 3 right answers, the last 2 in a row. Each right answer earns 1 XP.

Loading practice…

Builds on

Leads to

Sources and further reading

@teddyrookbook GitHub