Greek sculpture changed more in two centuries than Egyptian sculpture did in two thousand years. In the Archaic period (about 600 to 480 BC), figures stand stiff and symmetrical, facing straight ahead, with a fixed smile (the "Archaic smile"). In the Early Classical period (about 480 to 450 BC) the smile is gone; figures look calm and serious, and poses loosen. In the High Classical period that followed, figures move and stand naturally.
Looking closely: The Peplos Kore. A kore is a statue of a young woman, often set up as an offering in a sanctuary. She stands straight, frontal and nearly symmetrical. Her right arm hangs at her side with the hand closed; the left forearm, now lost, once reached forward, perhaps with an offering or, some scholars think, a bow, which would make her the goddess Artemis. Her braids fall over her shoulders, and her lips turn up in the Archaic smile. Her heavy dress hangs straight like a column. Traces of paint show she was once brightly colored: a patterned dress, colored hair, eyes and lips.
Looking closely: The Charioteer of Delphi. Fifty years later, the change is plain. The young driver stands calm and grave, with no smile. The long robe still falls in column-like folds, but the upper body turns slightly and the folds at the waist and shoulders vary, as real cloth does. His inlaid eyes and copper lips and eyelashes make him startlingly lifelike. A ruler of Gela in Sicily dedicated the statue for a chariot victory at the Pythian Games.
Key idea
Why it works
Worked example: Archaic or Classical?
- Stiff, frontal and symmetrical.
- The fixed "Archaic smile".
- These are Archaic traits.
Answer: Archaic (about 600 to 480 BC).
Common mistake