Art History IThe Renaissance

Brunelleschi's Dome

Filippo Brunelleschi raised the dome of Florence Cathedral from 1420 to 1436 without full wooden centering, using a double shell and herringbone brick.

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Florence's cathedral, Santa Maria del Fiore, was begun in 1296 with a plan for a huge dome over an eight-sided crossing about 45 meters wide. By 1418 the walls were up to the base of the dome, but no one knew how to build it. A dome that wide would normally be built over centering: a wooden framework holding up the masonry until it was complete. There was not enough timber in Tuscany to build one that size, and the city did not want Gothic flying buttresses.

In 1418 the city held a competition. Filippo Brunelleschi, a goldsmith turned engineer, won with a plan to build the dome without full centering. Work ran from 1420 to 1436; the marble lantern on top was finished later, after his death in 1446.

The dome of Florence Cathedral, by Filippo Brunelleschi, 1420 to 1436.

Looking closely: The dome. From the hills above Florence, the dome rises over the roofs like a red mountain, larger than anything around it. Eight white marble ribs climb from the drum to the lantern, dividing the red tile into eight curved panels. It is pointed rather than round in profile, a shape that pushes out less at the base. The lantern on top, a small temple of white marble, locks the ribs together and lets light into the space below.

Key idea

Filippo Brunelleschi raised the dome of Florence Cathedral from 1420 to 1436 without full wooden centering, using a double shell and herringbone brick.

Why it works

How did it stand while it was being built? The dome is two shells, an inner and a lighter outer one, tied together by ribs. The bricks were laid in a herringbone pattern: every so often a brick stands on end, locking each new ring of horizontal bricks so it cannot slide inward before the mortar sets. Each completed ring is a closed circle that holds itself up. Chains of stone and timber, and iron, run around the base like hoops on a barrel to resist the outward push. Brunelleschi also invented an ox-powered hoist to lift the materials.
Florence, with Rome to the south.

Worked example: Why not buttresses?

A Gothic cathedral holds up its vault with flying buttresses outside. How does Florence's dome resist its outward push instead?
  1. Its pointed profile pushes outward less than a round dome would.
  2. Hoop-like chains around its base hold it in, the way hoops hold a barrel.
  3. Its double shell and ribs make it strong but lighter.

Answer: With its shape, internal chains and a double shell, not flying buttresses.

Common mistake

Thinking the dome is held up by buttresses. It has no flying buttresses; its double shell, ribs, chains and brick patterns carry it. Check the outside of the building: you see the dome rising straight from its drum.
Brunelleschi had studied ancient buildings in Rome, including the Pantheon. His dome is wider and higher than the Pantheon's, and it is still the largest masonry dome in the world.

Practice

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Sources and further reading

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